acier thermolaqué, bois réemployé, pieds en acier galvanisé

Cadre de production :

Exposition collective « Inspiraling », CRAC Alsace, Centre rhénan d’art contemporain, Altkirch, (14.11.2025–01.03.2026).

Variable dimensions.

Scoubidou cords, seashells, raffia, withered roses, glass beads, metal beads, clementine peels, buttons, pasta, rope, cotton thread, wool, plastic thread, metal wire, chains, lace, cinnamon, plastic flowers and leaves, snail shells, scoubidou thread, scoubidou cords, eyelets, pine cone, paper clips, small spoons, key rings, metal offcuts, ribbon, scissors, curtain rings, sink plugs, metal frets, inner tube, paper, hair clips, headbands with combs, strands of beads, circular protractors, lampshade frame, frisbees, hoops, paper clips, set squares, protractors, parrot rulers, netting, nuts, paper labels, button eyelets, playing cards, paper bags, spirals, combs, letters: transfer letters, coloured pencils, pins, nails, measuring tape, paper, adhesive tape, large-grid paper sheets, notebooks, tree leaves, dividers, synthetic hair, bicycle tray, cardboard packaging, metal shears, lace glove, paper envelope, elastic-band folders, oil pastels, coin.

Photo Angélique Pichon pour le 19, Crac

Cadre de production :

Exposition personnelle « Le vide en main [Emptiness in Hand] », Le 19, Centre régional d’art contemporain, Montbéliard, (07.02–03.05.2026).