Formerly a foundry and then a warehouse for household appliances, Le Confort Moderne became a cultural venue in 1985, supported by the association L’Oreille est Hardie. In addition to a program of concerts outside the commercial circuit, landmark exhibitions were quickly added. Over the years, the space has grown and welcomed new structures—a fanzine library and record store—that are resolutely focused on countercultures. The utopian vision and high standards of the early days remain as alive as ever.

Today, its founding missions incorporate contemporary issues: artistic standards, exploration of the margins, support for artists in a committed and political approach, both in the aesthetics presented and the subjects defended, as well as a strong involvement with audiences and amateur practices. Le Confort Moderne aims to be an open place, a resource and a refuge for ideas, audiences, and artists.

The visual arts program supports established and emerging French and international artists through exhibitions, residencies, festivals, and mentoring programs. The projects explore marginalized or minority cultures, offer new narratives and counter-narratives, draw on the natural links between music and visual arts, and initiate dialogues with other artistic forms. Two to three major exhibitions are held each year, complemented by shorter or spontaneous events designed in collaboration with emerging artists, up-and-coming artists, or curators in residence.

In recognition of its artistic commitment and involvement in missions of general interest, Le Confort Moderne now holds two labels: the SMAC label, for contemporary music venues, and the CACIN label, for contemporary art centers of national interest.

Director: Madeleine Mathé